Flaming Stardust
Flaming Stardust is the first video in a new series intended to assist a person negotiating a physical or mental trauma. This particular video is an attempt to craft a work that might be viewed by someone on their deathbed. This iteration is directed at myself as I consider what I’d want to have envelop me as I died. The video is lush and at times psychedelic, following the seductive curves of a mirrored mylar weaving draped on a green grape arbor wet with dew. An ethereal voice gently sings the song Stardust a cappella as the video morphs into a euphoric glittering climax. There is no obvious literal narrative, though imagery of the grapes rotting on the vine and fragmented trees may evoke a sense of beautiful decay. Underneath the hypnotic visuals is a passage from life to ecstatic death.
Golden Balls
Situated on Lake Erie, Golden Balls loosely follows the story of a scandalous beauty queen, Little Miss Cleveland, and her seduction of the golden balls of LeBron James and the Cleveland Cavaliers. The video is lush and psychedelic, accompanied by a haunting soundtrack of fuzzy distortion and ethereal female voice. Underneath the hypnotic visuals and sound lies a mysterious but tangible rejection of social constructs as this Amazonian hyper-feminine siren unabashedly romances a glittering golden basketball. The formal qualities of the video resemble computer animation and modeling, though the footage is shot entirely on a phone using a meticulously hand woven mirrored mylar textile in physical space to create the illusion of digital effects.
In 2018, Sarah Paul received an Ohio Arts Council Award for Artistic Excellence in Media Art for this work, Golden Balls.
World On Fire
Performance for camera.
An examination of a punk rock vocal mouth.
Flag Series, 2016 - 2019
Fence Flags and Field Flags were two overlapping concepts comprised of video segments in series, each one produced using woven mylar draped on an old wooden fence and each a different flag for an unknown entity. Though perpetually waving, each flag is a single static shot to enable contemplation of the flag’s form. There are glimpses of tangible objects amidst the surreal mylar, further confounding our perception of what is before us. I’m utilizing the incidental geometry in a moving image to explore the notion of what a flag is. Does a flag with ambiguous ideology affixed to it still function as a flag? Perhaps the fragmentation in these flags becomes a metaphor for our societal fragmentation. At minimum, it forces the viewer to question what they are seeing.
Thes videos are silent because they are designed for looping on digital signage in public spaces without speakers.
The Flaming Lake
A euphoric drowning in Lake Erie.
The inside of a disco ball.
The death and rebirth of Cleveland.
A material focus of mine is the real-space simulation of computer-generated special effects, 3D modeling, and animation. I have achieved this with a handwoven textile I create using mirrored mylar. Slow-motion video of the textile in real-space becomes a skewed pixel matrix that resembles what I imagine to be the warped interior of a disco ball Tardis. The majority of this footage is shot in slo-mo on a phone while I physically manipulate the woven mylar in natural light. There is no other post- processing used. This iteration was designed for a large scale outdoor led array with no sound.
Slow Grease Series
the misappropriation of a film called Grease.
silent video experiments made in response to the healing of traumatic injury.
Flaming Sunset #9
the flaming smokestacks of Cleveland at sunset
Ponylove, 2006
single channel video with sound
an exploration of gender identity, play, and the human/pony interface
music by Bob Welch, 1977
Misappropriation of Singin’ in the Rain, 2006
single channel video with sound
an experiment with foley sound and video
with over 350,000 youtube views, this video has become one of the primary hits when searching for the original scene from this film. the comments on the video have now taken on a life of their own, which i consider to be an ongoing social sculpture with which i will not tamper